Laura Mulvey, Visual Pleasure and Narrative Cinema

Laura Mulvey Visual Pleasure and Narrative Cinema Seminar paper from the year in the subject English Language and Literature Studies Literature grade University of Constance entries in the bibliography language English abstract In a t

  • Title: Laura Mulvey, Visual Pleasure and Narrative Cinema
  • Author: Carolina Hein
  • ISBN: 9783638952750
  • Page: 246
  • Format: Paperback
  • Seminar paper from the year 2006 in the subject English Language and Literature Studies Literature, grade 2,3, University of Constance, 3 entries in the bibliography, language English, abstract In a time of rapid technological progress and development, everything changes quite fast These changes can be seen in every field of life For instance, the way of supplying bSeminar paper from the year 2006 in the subject English Language and Literature Studies Literature, grade 2,3, University of Constance, 3 entries in the bibliography, language English, abstract In a time of rapid technological progress and development, everything changes quite fast These changes can be seen in every field of life For instance, the way of supplying basic needs or the way how to make own life better, but also certain norms and values are quite different today Instead of visiting a theatre in order to be entertained, people can watch TV or use the internet If a man and a woman live together unmarried, hardly anybody will be shocked about that fact But often certain attitudes are anchored in society and can hardly be changed One example is the determination which individual role men and women are likely to play as members of a society and how their image appears in every culture It is especially interesting to see how the media represent women, the so called weaker sex The following pages respond with the representation of women through the years Additionally, they deal with problems and consequences coming up because of the difference between men and women.

    One thought on “Laura Mulvey, Visual Pleasure and Narrative Cinema”

    1. To utterly destroy the way one has always looked at cinema and to deprive yourself of any pleasure you derive from mainstream cinema, as you have always been force-fed a particular view as the camera and the viewer are subordinate and enslaved to the cast of characters (wherein one central, male character dominates in a dichotomy the passive female character) read this. For a take on psychoanalysis that shakes your universe, for goodness' sake, read this.

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