What It Is

What It Is How do objects summon memories What do real images feel like For decades these types of questions have permeated the pages of Lynda Barry s compositions with words attracting pictures and conjuring

  • Title: What It Is
  • Author: Lynda Barry
  • ISBN: 9781897299357
  • Page: 458
  • Format: Hardcover
  • How do objects summon memories What do real images feel like For decades, these types of questions have permeated the pages of Lynda Barry s compositions, with words attracting pictures and conjuring places through a pen that first and foremost keeps on moving What It Is demonstrates a tried and true creative method that is playful, powerful, and accessible to anyone wiHow do objects summon memories What do real images feel like For decades, these types of questions have permeated the pages of Lynda Barry s compositions, with words attracting pictures and conjuring places through a pen that first and foremost keeps on moving What It Is demonstrates a tried and true creative method that is playful, powerful, and accessible to anyone with an inquisitive wish to write or to remember Composed of completely new material, each page of Barry s first Drawn Quarterly book is a full color collage that is not only a gentle guide to this process but an invigorating example of exactly what it is The ordinary is extraordinary.

    One thought on “What It Is”

    1. THE ORDINARY IS EXTRAORDINARY. i love this book like i have never loved a book. i want to make out with it, caress it, sleep with it near my pillow and wake up clutching it after a bad dream. this book is related to the Lynda Barry writing class WRITING THE UNTHINKABLE! which i took in april. this class and book are for people who think they want to write, but don't know where to start. it's also for people who never thought about writing, people who already write, and people who like other peop [...]

    2. I got this from the library but will be buying myself a copy post-haste.This is what a book about writing should be. It was really interesting to read this so soon after Stephen King's "On Writing", because it really underlined how far short of the target his book fell. A book about writing should do the following things:* inspire you* provide insight/discussion on the tools a writer needs* offer framework for developing the skills of creativity.This book does all of those things, but it's heavi [...]

    3. What It Is by Lynda Barry is a fascinating memoir/scrapbook/writing guide that almost defies definition. The first half of the book contains melancholic comic panels about Barry's alienated childhood and how drawing and writing saved her from loneliness interspersed with large one and two page spreads of collages that contain great writing prompts, like "Do thoughts move?" "What is a secret? What is it made of? Where is it kept?" "What is a monster? Do we need them?" The second half of the book [...]

    4. Imagine every page is like this, like opening a box of treasures. And in it, a germ of an idea: how and why does one write?Many moons ago, when I was a teenager, I found a book that was very similar to this one in message (but in execution very different). It was Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg.Like this one, it advocated writing non-stop for a set amount of time or until you fill a page. It also said to not stop to read over what you wrote until later. And [...]

    5. This book explains my whole entire childhood. Why I did what I did and why I didn't do most things other kids did.This book explains why it all changed at some point and I stopped.I'm glad I've already gotten back to most of the things I used to do as a kid (write, draw, color, imagine, play) because it's me. It's who I am.This book explains a lot of the kind of mind I have right now. All the stuff about imagining, remembering, forgetting, dreams and fears and nightmares. It's all me. Why I dood [...]

    6. The subtitle is "How to channel your inner cephalopod". How do I not already own this?My cephalopod demands to be channeled!

    7. (More pictures at parkablogs)This book screamed "Buy me!" when I saw it at the Drawn & Quarterly booth at San Diego Comic Con 2009. It is that good!With a brush in the right hand, and a pencil on the left, the multi-eyed monster on the back cover spoked, "Welcome to writing the unthinkable". That's the essence of this book created by Lynda Barry, putting vivid imagination onto paper.What It Is is a scrapbook that's filled to the brim with sketches, coloured illustrations, collages, comics, a [...]

    8. Barry does it again! I love the free way she uses collage along with her more customary brush and ink work. Meet the Magic Cephalopod who guides us to our imagery,Sea-Ma, the nonjudgmental writing instructor, and the Near-Sighted Monkey who likes to clip magazines while watching TV and drinking beer. 6/16/09 I now own a copy of this book with my very own personal inscription from the author! She even drew a near-sighted monkey for me!

    9. Great book! A simple yet incredibly effective techniques for finding stories that are already there inside you. I love Lynda Barry! Great for both young Adults and the older kind of Adults too.

    10. Don't file this book under currently-reading. Label it currently-utilizing.Part philosophy, part workbook, all Right On!

    11. Very good book about how to get started writing, presented in Lynda Barry's inimitable style of illustration. This older book covers some of the same ground as Syllabus: Notes from an Accidental Professor, but with less drawing involved. If I had to pick just one, I would definitely go for Syllabus: Notes from an Accidental Professor. (Even though Syllabus: Notes from an Accidental Professor doesn't have the helpful Magic and Creative Cephalopod.)

    12. First, let’s start with what Lynda Barry’s graphic novel is not: drab, ordinary, boring. As an intellectual rhapsody of the power of image, form, and function within writing, What It Is is unlike any book I’ve ever experienced: undeniably an oddity– although wonderfully so. Barry’s stylized use of color, text, imagery, and wording is gorgeous, and the thoughts/questions that she poses are intuitively reflective. Her “essay” questions (which bear the post script “we do not know th [...]

    13. "What It Is" by Lynda Barry is part journal, scrapbook, sketchpad, self-help book, memoir, and writing exercise book, so I find it rather limiting to think of it as solely a journal. However, I suppose this book asks us to look at how we define the boundaries of a journal in the first place. "What It Is" is not a journal in the traditional sense. It is a journal that has been compiled with an audience in mind and with well-crafted pages in which the image often corresponds with the words, such a [...]

    14. Part graphic novel, part memoir, part writing prompt guide, this book is a treasure of many kinds of art in one. As inspiration, it's tops. As aesthetic assault, it's also tops. I really enjoyed it. But I did have this nagging feeling I often get when I look at the graphic art from a clearly gifted mind: I don't know the word for it. Intimidation? Confusion? Guilt of some kind? The collage format makes me want to stare at each piece for individual inspiration, but the OCD in me wants to make sen [...]

    15. This is a fascinating book. I picked it up and could not put it down. It was shelved with YA in my library. I usually only read and comment on books up to MG, and that's really all I feel qualified to discuss, but I have to say, if you know a teen-ager who is highly creative OR OR OR a teen-ager who feels they are highly un-creative, put this book in their hands. Heck, put it in the hands of ANY teen-ager or older person (and even more mature middle-schoolers). It is a fascinating study of the c [...]

    16. Lynda Barry takes readers on a visual exploration of insecurities and uncertainties about the world in What It Is. Barry's obsession with storytelling and authenticity shines as she reflects on incidents in her life that led her to express herself through words and drawings. She reflects on whether childhood is a place or a time in one's life, and whether the past isn't an integral part of your present experience that you can draw on to help the creative process. The book contains many ideas, qu [...]

    17. I teach with this book. Students' first response is usually quite wild: look at my textbook! I can't believe I get to have a textbook that looks like this! Sometimes their parents and others make similar comments, but to opposite effect--you call THAT serious work?! Yes. I call that serious work. Serious as anything can be. It's a subversive, brilliant, heart-rending, tricky kind of book, full of wisdom about creativity and writing and image making--and living and being. Much of the insight of a [...]

    18. This book is a must read, as far as I'm concerned. The layers of meaning create an entire world. The visual language is as compelling as the hand-drawn words on the page, and her humanity and humor are a treat to be around. I was delighted to see that someone else shares my weird habit of drawing the alphabet/letter forms as a way to center and free one's thoughts in preparation for diving off into the creative unknown. So cool!

    19. This beautiful, inspiring book is essential reading for anyone from the life-long artist/writer feeling down on themselves to those suffering from writer's/artist's block, all the way to those who for whatever reason gave up their childhood joy of writing and drawing for more adulty pursuits. Lynda Barry always manages to speak to the heart without ever going down the cutsie path. Essential reading material. P.S. I really adore her friend the Magic Cephalopod.

    20. Wow! This book is as fun to look at as a great example of art journalling as it is to soak in all the wisdom about writing and art making from the multi-talented Lynda Barry. I found it really inspiring and am going to try many of the exercises for writing which are so different than the ones that you usually encounter in "how to write" books. Terrific, unusual and inspiring, all in one book.

    21. I think about this book, about Lynda Barry, a lot. 5 stars a lot. I can't tell you why I like it, that'd be embarrassing, you might find out I care about stuff and then you might call me a pussy and then I might cry - or punch you - depending on the day. And let's face it, more than being honest about who I am I want you to like me.

    22. This collage /mixed media graphic novel is usually the type of book that thrills me, chills me and lights my fire. I have no idea why there is no spark, if it were an ex-boyfriend I would whine "but we look so good together on paper" By the end if this zine I screamed UUGGGHHHHHHHHHHHHHHHHH inside my head. It's not you, it's me.

    23. Wanted to give it three stars, didn't like the first part as much. But then I loved the last part and found her writing tips very useful and fun! But as a story I liked 100 daemons a lot more!

    24. Amazing, beautiful, and thought-provoking. My goal for the next month or so is to attempt all the writing exercises and unleash my inner Magic Cephalopod.

    25. This is absolutely one of the most beautiful things I own. It also is very wise, and I feel like kissing Ms. Barry's feet for gifting the world with it.

    26. "is experience something you have? or something that has you?"I am surprised by how much I enjoyed this book. I initially thought I was not going to get that much into it, considering that the author was asking me the questions I hoped she would have the answers for. However pondering such deep thoughts really intrigued me, she shines a new light, refreshing and different that never ceased to surprise me. Existential questions are posed in such a way I suddenly felt like I'd never actually heard [...]

    27. Something I've been thinking about is how to get students to be more concrete, to put objects and people into their writing, instead of always relying on generalities. This is true of their argumentative writing as well as their personal writing. I think the main problem is that grand, sweeping generalities SOUND more academic and grown up to them, so by using that kind of writing they actually are doing their best to mimic academic writing (which in itself should make us worry about the kinds o [...]

    28. Fantastic. I don't think this will be for everyone, but I was like that heart-eyed emoji every time I turned the page. Wonderful collages and drawings, and the writing exercises seem promising too - I intend to work on them over the coming months!

    29. I got this book because it was advertized as a helper for those who want to write. It says on the front, "Do you wish you could write?" But what I found was something else entirely. It is written in graphic novel/collage pages style. The pages appear to have been struck by a tornado as there are drawings and collage pieces all jumbled together and on top of each other with no flow. My eyes had no idea where to go to make sense of each page. What you see on the cover is what you get, but with les [...]

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