Gag On This: The Scrofulous Cartoons of Charles Rodrigues

Gag On This The Scrofulous Cartoons of Charles Rodrigues Charles Rodrigues was one of the fiercest most audacious taboo busting cartoonists who ever lived and our second collection of his cartoons from the National Lampoon may be the most jaw droppingly

  • Title: Gag On This: The Scrofulous Cartoons of Charles Rodrigues
  • Author: Charles Rodrigues Bob Fingerman
  • ISBN: 9781606998564
  • Page: 350
  • Format: Hardcover
  • Charles Rodrigues was one of the fiercest, most audacious, taboo busting cartoonists who ever lived, and our second collection of his cartoons from the National Lampoon may be the most jaw droppingly potent collection of single gag cartoons ever published There was no subject Rodrigues wouldn t tackle, and none that he couldn t make funny There is no example of human sufCharles Rodrigues was one of the fiercest, most audacious, taboo busting cartoonists who ever lived, and our second collection of his cartoons from the National Lampoon may be the most jaw droppingly potent collection of single gag cartoons ever published There was no subject Rodrigues wouldn t tackle, and none that he couldn t make funny There is no example of human suffering, misery, tragedy, or absurdity that is off limits If they weren t as funny as they in fact are, they would be considered tasteless, repugnant, and horrifying but without a drop of rancor, even the chapter titled Good Ways to kill a Rock Performer There is virtually no way to adequately describe Rodrigues viciously wicked imagination.

    One thought on “Gag On This: The Scrofulous Cartoons of Charles Rodrigues”

    1. The work of Charles Rodrigues was disturbing and fascinating to me as a kid; it seemed to exist in its own squalid universe, and I feared the mind that could think up such things. It was great.

    2. The second star is for the fond memories of have of Rodrigues's cartoons. When I was 13, 14, 15, his works seemed the height of hilarity. Now, they're not even remotely funny. One of us hasn't aged well.

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